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Summer 2022 Released
Featuring poetry, an essay, and short fiction from across the world, the second quarterly of Trasna includes new work by Brittany Nohra, Nathanael O’Reilly, John Martin, Eugene O’Hare, Samuel Meyler, Fred Johnston, Shane O’Neill, and Linda Whittenberg. Read Issue #2 here.
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Playground of the Apocalypse
by Shane O’Neill The strand is ravaged by the storm that had raged for two days, uprooting weeds and hurling rocks huge distances along the beach. Large chunks of sand have been torn away by the sea, leaving small dunes and bunkers for us to traverse unsteadily. The sky is still a heavy grey and we have to squint through the watery haze of falling rain and fight against the fierce winds. Black clouds are reflected in the tumultuous waters and barren black mountains tower over us. Tiny mussels are clamped to these monoliths, holding on tight against the forces of nature. In this deathscape, the natural elements blend into…
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First Quarterly Issue of Trasna Released
With poems and stories by Libby Hart, Stephen O’Connor, Mike Gallagher, S. C. Flynn, Marie O’Shea and Shane Leavy. Read Issue #1 here.
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Patrick Kavanagh: a Reader’s Experience
by Richard Hayes For generations of Irish readers—for this one certainly—the poetry of Patrick Kavanagh is inextricably associated with Soundings, the anthology of prescribed poetry for the Leaving Certificate English curriculum that was a staple of Irish secondary education from the end of the 1960s until the mid-1990s. Edited with sensitivity and skill by the late Augustine (“Gus”) Martin, then professor of English at University College Dublin, Soundings presented the poetry curriculum for the final exam with unashamed emphasis on the texts of the poems, without recourse to illustrations or photographs or that patronising commentary that seems to dominate textbooks now. Martin in his introduction to the book speaks of…
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about:blank by Adam Wyeth
about:blank by Adam Wyeth, is a piece of writing that both defies categorization and pays homage to the great literary innovators of the 20th and early-21st century.