Mary O’Donnell
Basil, βασιλεύς
For the nuns, life isn’t too short to stuff tomatoes.
The convent, perched near cliffs
above a wrinkled sea. We enter the parlour,
then await Sister Mercedes,
my father’s sister.
The doors open and she, a slim wisp,
weeps for joy, then settles,
a black and white butterfly, wimple and veil
her wings at rest as she chats to me.
A special meal, for visitors.
My first taste of stuffed tomatoes
ferried silently from the kitchen
by an aproned novice.
That quick taste of summer,
βασιλεύς, I learn, in Greece.
Forever after, my aunt—mothering,
her fine fingers stroking my shoulders, my long hair—
appears in hasty dashes of basil leaves
across glistening salads, whisked
with parmesan and sweet oils.
I cut into a quivering cheese cap,
that interior flesh, savoury crumbs.
And then: Basil,
the novice whispers, sweet basil.
Vivid on my tongue, like liquorice.
Mary O’Donnell’s work includes poetry, four novels, three short story collections, essays and journalism. Her 2020 collection Massacre of the Birds (Salmon) is translated and recently published in Brazilian Portuguese with Arte y Lettras. Other work is available in Hungarian and in Spanish. She is a member of Ireland’s affiliation of artists, Aosdána. www.maryodonnell.com